i almost fell victim to this but thank god i got out
this post was submitted on 22 Mar 2024
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Meanwhile actual pro audio engineers: haha 15yo $70 MDR-7506 gaffed taped together go brrr
Most people wouldn't actually like professional audio engineering headphones as the EQ is purposely set as flat as possible.
That's why some headphones are referred to as reference and others as "fun"
I'm a huge metalhead and bass is really the most important frequency in metal. But I hate the sound of my favorite bands in bass-forward headphones like Beats. I never could understand why people like to hear the music in a sound that's different than the one your favorite band intended it to be. I love flat headphones, but it's so hard to find them nowadays.
What you have to realize is the final mix of tracks that generally end up in the public's hand are tailored towards what the average person is going to be listening to them on and unfortunately that usually means phone and laptop speakers that simply do not have the frequency range and dynamic range to reproduce what the band intending.
Another thing is some people just really enjoyed their music bass heavy where as others might enjoy more midbass to get that kick drum that slaps you. It's all down to preferences.
It's not that difficult to find flat EQ headphones, the keyword you are looking for is "reference headphones" and "mixing headphones". Personally I use the ath-m50x although after about a decade of hard use the highs on mine are starting to sound pretty harsh.
I personally use them as everyday headphones, not only is the sound super okay for me, but the cable is sooo long, I love it. It's quite long and it then extends due to its curly form.
Yea they are great for mixing, because if it sounds good when flat, then it will sound good pretty much everywhere else. Sadly, because of this, they are not so great for just listening and enjoying some music, at least for most.
'Audiophiles': "Yeah I paid $20000 for this new DAC, I think the treble is a lot crispier"
Actual audio engineers: "I record everything with this $40 Behringer interface and mix with free plugins though my 30 year old Yamahas"
This is me lol. I cope by saying distortion is fine as long as it's not coming from my system. I want to hear what the artist heard. It's mega cope though.
I'm using my dad's MVR-V6s that he bought at least 30 years ago, I really can't find a justification to 'upgrade'. If these ever break I'll just grab some MDR-7506s
Music tech. teacher. I still rock my pair of 7506 from 20 years ago. They are not ideal for mixing bass tho, but otherwise really solid.
I have the non pro version of this, covered in orange duct tape, and hair nets over the ear muffs because the beard scratched all the padding off.
They pump 5V out.
Nothing else is needed (cough * it's still on a 3.5mm jack * cough )