fireweed

joined 1 year ago
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[–] fireweed@lemmy.world 9 points 1 day ago (1 children)

Hence why the members of c/fuckcars are so intense (I include myself in this).

The only practical way to avoid exposure to society's car dominance in your everyday life is to live far from society... Which ironically forces you to own a car and drive to get literally anywhere.

[–] fireweed@lemmy.world 5 points 3 days ago (1 children)

Which makes me wonder, are there literally no alternatives in South America itself? I know Argentina has gone to shit, but what of the other countries?

[–] fireweed@lemmy.world 6 points 1 week ago

This may have something to do with which states do all-mail voting:

Eight states—California, Colorado, Hawaii, Nevada, Oregon, Utah, Vermont and Washington and the District of Columbia—allow all elections to be conducted entirely by mail.

Utah is deep red, but the others are quite blue. Especially with California in there, that's a pretty good chunk of the US that votes early by default (there are same-day options in these states, but I suspect that option is often utilized due to procrastination rather than intentionally waiting until election day to vote).

[–] fireweed@lemmy.world 44 points 1 week ago (6 children)

To your "edit" point: Don't take a handful of downvotes personally; it's pretty easy to do accidentally on mobile so they may have been unintentional

[–] fireweed@lemmy.world 25 points 2 weeks ago (6 children)

Easy, NASA sends you up with one hundred tampons

[–] fireweed@lemmy.world 9 points 2 weeks ago (10 children)

Outer Wilds

Reviews of the game are fantastic ("this is the best game I've ever​ played" - everybody) but trying to fly that damn spaceship is so hard. I also heard there's tricky platforming later on, and if you mess up you gotta start waaaay back. I did not grow up with video games so I'm terrible at that kind of thing. I should just give up and watch a playthrough but apparently that defeats the whole point of the "incredible" story, which is the only thing I'm here for in the first place.

I guess I'm just holding out for someone to release an assist mode or something.

[–] fireweed@lemmy.world 5 points 2 weeks ago

A reason that everyone should get behind:

AI = increased carbon emissions for a product that won't even be useful because AI is really unreliable.

[–] fireweed@lemmy.world 7 points 2 weeks ago

Seven on 7 is a series of TV news shorts and commercials from The Boys universe. It's a delightful little parody of Fox News. The whole series is available free on YouTube.

[–] fireweed@lemmy.world 9 points 2 weeks ago (1 children)

In Washington State (where most voting is done by mail) it doesn't matter when officials receive your ballot, all that matters is that it's postmarked by election day. This does mean that any race that's even remotely close can take days to call (as ballots continue to arrive days after election day), but you never have to worry about how long the post office is going to take to get your ballot delivered.

In neighboring Oregon on the other hand (also primarily mail-in voting) they won't count your ballot if it's not received by election day, so every election they have to throw out stacks of otherwise legitimate ballots just because the voter either underestimated how long it would take for them to arrive, or because all they heard was "XX is election day" and didn't know to consider mailing time.

I think Washington's system is superior, and should be how it's done everywhere. Washington also has same-day registration for the super-procrastinators! Literally no excuse to not vote here.

[–] fireweed@lemmy.world 7 points 3 weeks ago

I mean, obviously it's not for everyone, but it's important to actually experience urban living for yourself before deciding you hate cities. Especially given the political situation in the United States right now, where so many suburban and rural residents are bashing cities and urban living without having properly experienced it for themselves; I think there would be a huge bite taken out of the urban/rural divide if more people had experience living in cities, and got to personally see the good and the bad for themselves. Plus your twenties is a great time to learn street smarts, because that way you'll be less likely to have a bad experience when you do visit a big city in the future, whether it's for something fun like a concert or something serious like going to a medical specialist. There are a lot of basic lessons like "never ever leave anything visible in your unattended parked car", how to use public transportation, being able to firmly say "no", and general situational awareness that are just good life skills that city living forces you to pick up.

I'm not at a point in my life where I want to live in a big city anymore, but I'm so, so grateful that I did in my youth.

[–] fireweed@lemmy.world 10 points 3 weeks ago (3 children)

Travel, live abroad if possible, and experience living in a big, culture-rich city. Unfortunately the economic realities of the 2020s are making this increasingly out of reach for many youth, but if you have the resources and opportunity, absolutely go for it. As you get older, responsibilities and lack of energy will likely sap much of your ability/desire to move around as much (this isn't true for everyone, but it's extremely common). Even if traditional travel is impractical for you, there still exists cheaper opportunities for exploration that are a bit off the beaten path, such as the WWOOF program.

Regardless of your situation/location, one thing that basically anyone can do is get involved in a cause. Find something you're passionate about and throw yourself into it. Make sure it's something that you can do in-person and not virtually... as in, there are local groups you can join for this cause, although if there aren't you can always try making one or forming a local chapter of a larger org. With the right networking you'd be surprised how many other people will join you, especially for causes that involve your local community. This is a great way to meet other people, get to know the issues facing your neighborhood/city better, and learn to navigate your local government/NGOs. Again, as you get older responsibilities/exhaustion can make this sort of thing a lot harder.

 

For fans of '80s-inspired contemporary beats. Share artists, albums, compilations, -wave channels, and vibe art.

!wavemusic@lemmy.world

 

Cross-posted from !animationafter30@lemmy.world

Original thread here: https://lemmy.world/post/12816521


Japanese title*: Shimanami Tasogare (しまなみ誰そ彼)

English title: Our Dreams at Dusk

Type: Manga

Year: 2015-2018

Country: Japan

Genre: Drama

Status: Completed (four volumes)

Platform: Seven Seas Entertainment published the series in English; old scanlations can also be easily found online

Appropriate for 30+?: Resounding yes

My rating: 5/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)

*the title in Japanese has a double meaning, with "Shimanami" being a place name, and "tasogare" meaning "twilight" but it's spelled to loosely translate instead to "who is he?"


To preface: I almost never give out perfect 5/5 ratings, but Shimanami Tasogare is just that solid. It's a series I've read several times and adore for both general and personal reasons. I've written an unusually long review because there's just so much to unpack here. While there are no major spoilers ahead, if you trust my judgement stop reading this review and go read the series instead: I don't want to unnecessarily color your experience.


Shimanami Tasogare is a series of understated brilliance that does so many things well that it's difficult to know where to start dissecting it. I'll start with the subtlely beautiful art, which features just enough detail to be realistic yet a touch dream-like, and it confidently dips into the surreal to introduce brief, almost flow-of-consciousness moments for the purpose of conveying the characters' emotions in the moment (this is only one of many ways that the series excels at "show don't tell"). The setting is itself an integral part of the story, and is portrayed in a level of detail and specificity rarely seen in manga. Then there's the tone: while the series deals with serious topics and sad moments, it handles them with grace and skillfully maintains an overall uplifting and joyous vibe (which I really appreciated, as I rather dislike "I smiled through the tears!" or "orphan-crushing machine" stories that are billed as "bittersweet" or "heartwarming," although be forewarned some characters' plotlines are more tragic than others, and the emotional impact of each plotline will almost certainly differ from reader to reader depending on whether it hits close to home or not).

One of the series' greatest strengths is in the characters, every one of which is complex, imperfect, sympathetic, interesting, and above all human. While the protagonist is a high school boy, the supporting cast range from approximately age 11 to 60, with most in their 20s/30s, and about an even gender split. You could argue this is a coming of age story, however the high school plotline is portrayed with maturity, and the older characters all get their own fully-fleshed-out plotlines too, so I think the more generic "character drama" label is much more appropriate. Characters' reactions are not always immediately understood by the audience, but they never feel arbitrary, like they came out of nowhere, or merely happened for the sake of plot development. The characters always drive the plot, never the other way around. 

Speaking of the plot, while far from an "edge-of-your-seat" series, the plot is quite engaging, and barreling through the entire four-volume series in one sitting is far from unthinkable. The pacing is fantastic, much of which is thanks to the series' excellence in "show don't tell": the dialogue never feels excessive nor insufficient, and the author conveys characters' thoughts and emotions via art, expression, and action as much as via dialogue. This leads to scenes that squeeze a lot of development into just a few panels, but it never feels rushed or confusing.

Two details that made me personally love the manga even more are: (1) the series is set along the "Shimanami Kaido," which as mentioned in the manga is a historic area of central Japan made up of a series of islands connected by a long highway that also features a fantastic cycling route that I've ridden myself (if you ever visit Japan and are capable of riding a bike, rent yourself a cheap mama-chari and ride as much of the route as you physically can). (2) The characters are involved with a non-profit that renovates old abandoned houses ("akiya") and repurposes them; I love old stuff and there's something so romantic and enticing about both the slow-decline vibe of abandoned houses in depopulated areas and the magic of "restoring something old to its former glory" renovation projects. While neither the Shimanami area nor the akiya restoration project are the focus of the series, they are explored in a good amount of detail and the reader should walk away from the series having learned something about both.

Now that I've sufficiently buried the lede, it's time to discuss probably the most noteworthy elements of Shimanami Tasogare, which is that it's possibly one of the best LGBTQ+ manga ever written; it certainly was groundbreaking in the mid-2010s when it was released for its realistic depiction of LGBTQ+ issues in Japan. However! Much like how the series feels relevant and highly accessible even to readers much older than the adolescent protagonist, Shimanami Tasogare is far from a manga only for LGBTQ readers. In fact, I'd strongly argue that everyone regardless of sexual/gender orientation should read this manga, not only for all the series' fantastic qualities I listed above, but also for its poignant messaging about intentional and unintentional homo/transphobia and what it means to be a supportive ally. I would go so far as to wish it were required reading in every middle school in the US, up there with other cultural touchstones like To Kill a Mockingbird, because it covers a lot of "culture war" issues (both in relation to LGBTQ+ issues and otherwise) in a compassionate, clear, and concise way while somehow never feeling preachy. Full disclaimer: I do not consider myself a member of the LGBTQ+ community, and thus this review is from the perspective of an ally. However my understanding is that the manga received rave reviews from LGBTQ+ communities in Japan and abroad, so I feel confident in my positive assessment of the series.

As just one example of effective messaging, the series clearly demonstrates the value and importance of "safe spaces" (both IRL and digital) for marginalized populations, and what can happen when they're invaded, even if it's with good intentions. One of the supporting characters is a pushy and opinionated straight/cis woman who takes it upon herself to white knight for her trans friend and repeatedly oversteps her bounds until she's finally told off and sheepishly retreats to the literal background for the remainder of the series. No one ever comes out and explains that "a true ally is someone who knows when to step up and when to step back," but anyone with a touch of reading comprehension will hear this message loud and clear.

This is how almost all messaging in the series is: rarely stated directly, but portrayed so clearly that anyone with a shred of compassion or sympathy will understand them. I've considered myself an ally of the LGBTQ+ community for over twenty years, and have read many explanations on microaggressions, safe spaces, the importance of allyship, "the queer experience," etc. (in addition to similar pieces related to other marginalized groups, such as racial/ethnic/religious minorities). Rarely have I read a more clear, convincing, and more importantly precise and concise argument for so many concepts often dismissed as "libtard bullshit." I think this is a case of using a medium to its full potential: the graphic novel format allows the author to portray a lot of concepts non-verbally, which better allows the reader to feel like they've been able to observe the situation for themselves and thus draw their own conclusions, while simultaneously avoiding the inherent "preachiness" of verbal communication. The author never needs to state "don't do X, because it will make people feel bad," because the reader can instead watch X unfold, then infer for themselves that it made a character feel bad based on their expression and body language. This technique only works because every character and every situation feels so realistic, especially in relation to each other, which is why it's critical that so many other elements of the manga are as solid as they are.

Another testament to how successful the author is at conveying difficult messages in a positive and effective way is in how the manga has aged: usually with quickly-evolving cultural topics (such as LGBTQ+ issues) there's almost always something that even expert creators get wrong, that feels outdated even only a few years later, that comes off as misguided, divisive, controversial, or offensive. The stronger the messaging the more likely these blunders are to occur, and Shimanami Tasogare definitely has some strong messaging. Now perhaps there's something that I overlooked or missed that someone from the LGBTQ+ community would identify as a misstep on the part of the author. However I think the author did a brilliant thing to avoid this when crafting their messaging: they portray imperfect characters that are often conflicted and uncertain of what they should do, characters that cause hurt and feel hurt even when no ill will was intended. Further, and as outlined above, the author avoids preachy dialogue that declares absolute truths by instead utilizing "show don't tell." After all images are inherently more nuanced messengers than words (there are a few moments where characters do have to spell things out for each other, but the messaging is usually either extremely general or portrayed as just their opinion, and is always plot-relevant and never feels ham-fisted or forced). One of the central themes of the series is the difficulties people inevitably have understanding each other, often even themselves, and how this unfortunately leads to people hurting one another even when they're trying to help or do the right thing. Yet the series is generally positive about society and humanity as a whole, and would fit right in with the "it gets better" campaign. This all further helps the series feel nuanced, as if to assure the reader, "no one can always get it right (not even me the author) and that's okay."

In summary: Shimanami Tasogare is a story about people (LGBTQ+ or otherwise) and their relationships with themselves, other individuals, and society as a whole. It is brilliantly composed, with exemplary art, pacing, plot, dialogue, setting, and characters. It is smart but accessible, with timeless themes about human relationships that are also painfully relevant to contemporary issues, and it conveys poignant messaging without soapboxing. A core theme of Shimanami Tasogare is that your sexual/gender identity is part of you not all of you, and the same should be said for this manga: while it is a story that covers LGBTQ+ issues, it is far from being just an LGBTQ+ work. I highly recommend this series to everyone, regardless of age,* nationality, or gender/sexual identity.

*Given the nuanced and sometimes difficult content discussed, some discretion is advised. I'd give it a 12+ age rating, although it may resonate better with audiences 14+.

 

Cross-posted from !animationafter30@lemmy.world

Original thread here: https://lemmy.world/post/14998497


Title: One Room of Happiness (Original Title: 幸色のワンルーム)

Type: Manga

Year: 2017-2022

Country: Japan

Genre: Drama/Psychological

Status: Completed

Platform: Licensed by Crunchyroll (license discontinued?)

Appropriate for 30+?: Yes

My rating: 4/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)


Warning: One Room of Happiness contains difficult subject matter such as suicide, abuse, and rape. Many of the characters are or have been victims of abuse, and as such this series has multiple scenes and chapters that can only be described as "emotionally unpleasant." However the series also has many "warm and fuzzy" moments, and while there is tension that things could suddenly go horribly wrong underlying much of the series, this is balanced with joy and hope. In this way the series shares a lot of thematic and tone overlap with Oyasumi Punpun.

Given that Oyasumi Punpun is an infamous emotional trainwreck of a series, and given that the premise and initial chapters of One Room of Happiness send off super-skeevy vibes, here's a mild spoiler about just how bad One Room of Happiness gets:

spoilerThe ending of One Room of Happiness is bittersweet: nowhere near as devastating as Oyasumi Punpun, but certainly not a fully happy ending either. The "kidnapper" does not attempt anything untoward toward the "kidnapped;" their relationship is generally wholesome, albeit in a fucked-up way. However rape-attempt scenes involving other characters do occur on two occasions in the series.

The core of the series is in its character study of abused individuals dealing with trauma, and the character development that comes with working through it and connecting with others also scarred by abuse. The plot is fairly engaging, and there's some cat-and-mouse as the "kidnapper and kidnapped" try to evade the police. The art, pacing, and dialogue are all quite good. Because one of the core themes of the series is recovering from trauma, the series is overall more wholesome, heartwarming, and uplifting than most "psychological" series, which depending on the series can border on torture porn. IANAP (I am not a psychologist), however I left One Room of Happiness feeling like the difficult subjects handled in this series were done respectfully, gracefully, and at least somewhat realistically.

The two main characters are on the younger side (14 and early/mid-twenties), however the subject matter is mature and, likely due to their trauma, the characters act mature for their age. The series's overall quality is high, and the "turn-offs for older audiences" that I try to watch for with these reviews are basically absent. As long as you are prepared for the heavy subject matter and can get through some of the more questionable content/vibes of the early chapters (including one chapter with non-sexualized 14yo nudity), I think this series is both appropriate and enjoyable for older audiences.


As always, this review is nothing more than my personal opinion. Anyone familiar with this work is encouraged to express their own in the comment section. Or submit your own review… it’s a free ~~country~~ fediverse.

 

https://lemmy.world/c/animationafter30

A place for reviews, rants, recommendation requests, and memes for the older (30-year-old and up) crowd, because it can be difficult to keep the passion for animation and comics going after you've aged out of the medium's key demographic.

Whether you're curious whether Netflix's newest adult animation series is any good, are seeking recommendations for romance manhwa with middle-aged protagonists, have a "Millennial humor" webcomic to recommend, want to discuss the latest developments in your favorite "salaryman" manga, or simply want to wax poetic (or mournfully cringe) about how your favorite animated movie as a kid holds up decades later, this is the place for you!

No hate or gatekeeping of younger fans and newer series intended, however interests and tastes inevitably change over time and it's helpful to know whether that anonymous online user emphatically urging you to check out their favorite series is 14 or 40. (Or maybe you are one of those younger fans and are looking for an older adult's suggestions for animated films you can watch on family movie night that your parents won't immediately veto.)

 

Charles Bridge, Prague (modern day Czech Republic)

 

Artist: Rene Magritte

 

Artist: Romain Langlois

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White Pocket, Arizona, USA

Original photographer

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Reclaimed by nature (lemmy.world)
submitted 1 year ago* (last edited 1 year ago) by fireweed@lemmy.world to c/bonvoyage@lemmy.world
 

The tree grew through the rotted truck bed.

Original photographer

 

Yukon, Canada

Original photographer

 

Triple Divide Peak, Montana, USA. The peak sheds water to the Pacific, Arctic, and Atlantic Oceans.

North American watersheds

 

San Francisco, California, USA

Photo by Toby Harriman

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