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Reminds me of a funny story I heard Tom Petty once tell. Apparently, he had a buddy with a POS car with a crappy stereo, and Tom insisted that all his records had to be mixed and mastered not so that they sound great on the studio's million dollar equipment but in his friend's car.
That's how my professors instructed me to mix. To make it sound as good on shitty speakers as possible and also sound good on expensive systems.
Reminds me of the ass audio mixing in movies where it is only enjoyable in a 7.1 cinema or your rich friends home theater but not on your own setup
It seems we've lost sight of reality there.
As we don't intend to attend much cinema any more, I hope they bring back essentially a Dolby Noise Switch for movies. I don't want to sacrifice too much, but booming noise followed by what comes out as whispered dialogue really cheapens the experience.
I hope they can find a process that gives us back a sound track for the sub-17:7 sound system.
