this post was submitted on 04 Jun 2024
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    [–] FlapJackFlapper@lemm.ee 1 points 5 months ago (2 children)

    Reminds me of a funny story I heard Tom Petty once tell. Apparently, he had a buddy with a POS car with a crappy stereo, and Tom insisted that all his records had to be mixed and mastered not so that they sound great on the studio's million dollar equipment but in his friend's car.

    [–] tfw_no_toiletpaper@lemmy.world 1 points 5 months ago* (last edited 5 months ago) (1 children)

    Reminds me of the ass audio mixing in movies where it is only enjoyable in a 7.1 cinema or your rich friends home theater but not on your own setup

    [–] corsicanguppy@lemmy.ca 1 points 5 months ago (1 children)

    It seems we've lost sight of reality there.

    As we don't intend to attend much cinema any more, I hope they bring back essentially a Dolby Noise Switch for movies. I don't want to sacrifice too much, but booming noise followed by what comes out as whispered dialogue really cheapens the experience.

    I hope they can find a process that gives us back a sound track for the sub-17:7 sound system.

    [–] glitchdx@lemmy.world 1 points 5 months ago (1 children)

    Dynamic Range Compression. VLC player has it, possibly under a different name though. Set it up on my theater pc, and I almost don't need subtitles anymore.

    [–] joe_cool@lemmy.ml 1 points 5 months ago* (last edited 5 months ago)

    On Windows: https://www.fxsound.com/ (now free and open source)
    On old Linux: PulseEffects
    On new Linux: EasyEffects

    Those really make your crappy speakers or headphones go the extra mile.

    [–] FlyingSquid@lemmy.world 1 points 5 months ago

    That's how my professors instructed me to mix. To make it sound as good on shitty speakers as possible and also sound good on expensive systems.