1) Be nice and; have fun
Doxxing, trolling, sealioning, racism, and toxicity are not welcomed in AskLemmy. Remember what your mother said: if you can't say something nice, don't say anything at all. In addition, the site-wide Lemmy.world terms of service also apply here. Please familiarize yourself with them
2) All posts must end with a '?'
This is sort of like Jeopardy. Please phrase all post titles in the form of a proper question ending with ?
3) No spam
Please do not flood the community with nonsense. Actual suspected spammers will be banned on site. No astroturfing.
4) NSFW is okay, within reason
Just remember to tag posts with either a content warning or a [NSFW] tag. Overtly sexual posts are not allowed, please direct them to either !asklemmyafterdark@lemmy.world or !asklemmynsfw@lemmynsfw.com.
NSFW comments should be restricted to posts tagged [NSFW].
5) This is not a support community.
It is not a place for 'how do I?', type questions.
If you have any questions regarding the site itself or would like to report a community, please direct them to Lemmy.world Support or email info@lemmy.world. For other questions check our partnered communities list, or use the search function.
Reminder: The terms of service apply here too.
Logo design credit goes to: tubbadu
The size. Longer pianos, upright < baby grand < concert grand allow for longer strings and larger vibrating surfaces, meaning richer sounds and less opportunity for undesirable harmonics.
Grands also have more space for better mechanical apparatus from the keys to the hammers striking the strings.
And a grand having the cabinet with strings and sounding boards open to the audience sounds better than an upright sending sound into a wall.
Something else I haven't seen mentioned yet: many upright pianos do not have a proper 'una corda' pedal.
Typical pianos have between 2 and 3 strings for each note, all tuned to the same pitch, so the sound is full and more easily heard. The hammer typically hits all these strings with each key press.
On a grand piano, the leftmost foot pedal moves the actual keyboard and hammer assembly slightly to one side so that only a single string for each note is struck (una corda = single string). This results in a sound more like that of a pianoforte which is almost harp-like in sound.
On many upright pianos I have seen, the left pedal simply lowers a felt strip in between the hammers and strings making the sound quieter. While this is similar, it may not be what the composer had in mind for the particular piece.
Another thing I didn't see mentioned is the positioning of the strings and the opening of the piano lid. In a grand piano with the lid open, the strings are slightly above the base of the piano and the sound bouces up to the lid and out to the audience. In an upright piano with the lid open, the sound bounces between the walls of the piano before bouncing off the lid toward the audience. This will lead to a difference in tone and make the upright sound a little more stuffy than a grand piano.
Money.
Opinion.
