this post was submitted on 13 Mar 2024
312 points (96.7% liked)

Games

16828 readers
1306 users here now

Video game news oriented community. No NanoUFO is not a bot :)

Posts.

  1. News oriented content (general reviews, previews or retrospectives allowed).
  2. Broad discussion posts (preferably not only about a specific game).
  3. No humor/memes etc..
  4. No affiliate links
  5. No advertising.
  6. No clickbait, editorialized, sensational titles. State the game in question in the title. No all caps.
  7. No self promotion.
  8. No duplicate posts, newer post will be deleted unless there is more discussion in one of the posts.
  9. No politics.

Comments.

  1. No personal attacks.
  2. Obey instance rules.
  3. No low effort comments(one or two words, emoji etc..)
  4. Please use spoiler tags for spoilers.

My goal is just to have a community where people can go and see what new game news is out for the day and comment on it.

Other communities:

Beehaw.org gaming

Lemmy.ml gaming

lemmy.ca pcgaming

founded 1 year ago
MODERATORS
 

Legendary video game music composer Nobuo Uematsu says he doesn’t think some modern video game soundtracks are as interesting as those in older games.

you are viewing a single comment's thread
view the rest of the comments
[–] zamuz@lemdro.id 40 points 8 months ago (1 children)

I get what he's saying. Game music used to have a much bigger "job" in fleshing out the world that the game presented to you. I remember for example songs like Final Fantasy VII's Gold Saucer, Chrono Cross' Termina (Another World) that set the tone of the place you're visiting: busy, active, crowded and festive. If you take the music out, you have a beautiful yet static, almost frozen landscape - it comes alive with the music. Nowadays the visuals can be so detailed, the worlds so big and busy that the music seems to be an afterthought: it's just ambient music for the already immersive world of the game. And I believe that has lead to a lot of composers settling for just that: ambient music.

I think on Twitter I once messaged Gareth Coker, the composer for Ori and the Blind Forest, about how beautiful the music on that game is and how there's a big emphasis on melodies. He replied that the studio specifically pushed for melody-heavy songs, rather than just ambient music that only complements the action. That makes a huge difference.

[–] EncryptKeeper@lemmy.world 9 points 8 months ago

This is a big reason why the new Zelda games just do nothing for me. Without Koji Kondo they’re just so… devoid of life and personality.

Conversely, the goofy coop shooter Helldivers 2 elevates the feeling you get playing the game with its over the top hero music.