StillPaisleyCat

joined 1 year ago

Tawny is already in the writers room for Starfleet Academy as well as working as a cocreator of a new live action Star Trek comedy series in development.

It seems that she’s another alum who will be mostly behind the camera but will show up as a legacy character in other shows.

TOS ‘The Devil in the Dark’ in first run.

I was barely in school, but my slightly older neighbour who’d hooked me on Time Tunnel and Voyage to the Bottom of the Sea, convinced me that Star Trek must be seen.

I quickly caught up during the hiatus reruns, and have seen absolutely all of it in first run since.

I hadn’t been aware that he’d also been a director for television. Truly a wide-ranging career.

No worries, Dan Jeannotte has it covered.

I’m not attributing anything here. You’re arguably the one clinging to your head canon.

I’m an older person who was around to hear other OG fans complain about this ‘alternate universe/timeline for TNG’ theory in the late 1980s. And to see how the Great Bird himself responded.

Roddenberry went on the record saying that the timeline had to adjust to always keep the show’s future as a possible future for the audience. He defended the shift in the timing of WW3.

Goldsman, who has been a fan longer than almost any of his detractors, would have heard this more than I did. Goldsman organized one of the very first clubs and fanzines as a preteen, and attended the first ever convention in New York City.

[–] StillPaisleyCat@startrek.website 14 points 2 months ago (2 children)

Roddenberry himself was adamant that Star Trek’s history had to remain a possible history for viewers. So, the dates can slip as long as the major events don’t.

That is why he put WW3 later than implied by TOS, delaying it to the mid 21st century in the TNG pilot ‘Encounter at Farpoint’ even though that led to a contingent of TOS fans insisting that it ‘had to be a separate universe from the one of the original series.’

While writers never explicitly resolved this onscreen during the Berman Era shows, preferring to weasel with offscreen head canon in interviews saying that perhaps the Eugenics Wars were covert and going on unknown in the 90s, the new shows have dealt with this problem head on by acknowledging that temporal incursions do affect the timing of major events without making it a separate timeline.

SNW and Prodigy have been able to make this clear onscreen in canon with the expert help of the franchise’s excellent physicist science advisor Dr. Erin Macdonald. (She did her PhD with the team in Scotland that got the Noble prize just a couple of years later. She’s truly on top of modern theoretical physics.)

McCoy was in Encounter at Farpoint with one meta purpose - to counter the TOS fans that were campaigning hard to say that it ‘wasn’t the same universe.’

McCoy’s presence was a nice Easter Egg, but not much more. But he did the job of saying that it was the new Enterprise in continuity with the legendary ship on which he served.

Fans argued that because Roddenberry insisted on moving WW3 back to the mid 21st century as of Encounter at Farpoint, TNG had to be a different timeline.

TOS fans understood the Eugenics Wars to be the precursor to WW3, so they just didn’t accept WW3 was going to be another half-century away. Roddenberry’s directive was to always keep the Star Trek future in our future so WW3 had to be shifted to later in time and any specific mention of the date of the Eugenics Wars was avoided.

They also hated the carpet and many other things about the ‘luxury hotel in space’ Enterprise.

Yup, that happened and continued to happen until well into TNG season 3. The brigading Berman-era fans who rail unrelentingly against ‘Nu-Trek’ don’t sound any different, they’re just more visible than the 1980s fans that relied on mimeoed fanzines and Usenet. Fans that liked TNG kept quiet at cons until at least 1990, and vendors didn’t bring TNG merchandise.

No need to fuss about calendars. Just need to revisit Dr. Macdonald’s Temporal Mechanics 101.

There have been several temporal incursions since the DS9 crew did theirs - Voyager, Picard, SNW and Prodigy, not to mention the rippling effects of the Temporal Wars established in Enterprise and Discovery.

Dates and details can slip as long as the major events stay more or less the same.

From what I can tell Americans used to use scales for dry measures (in ounces) but somewhere along the line, they switched to volume measures for everything.

As a Canadian, it’s really frustrating because often will get the American versions of UK cookbooks here which are both not metric and not weights.

I enjoy my Australian cookbooks with metric weights.

[–] StillPaisleyCat@startrek.website 12 points 2 months ago (4 children)

Cook in metric and use a scale!

[–] StillPaisleyCat@startrek.website 6 points 2 months ago (1 children)

If anything, Lower Decks has intentionally lifted some 7-note sequences from the TAS title theme.

The title theme for Lower Decks almost does a bait and switch riff of the TAS one.

 

Bleeding Cool previews behind the scenes commentary from Hageman Brothers from prerelease of DVD-BlueRay bonus content.

CBS Entertainment is keeping the profile up on Prodigy merchandising. A bright spot amidst Paramount’s erasure of Prodigy in Star Trek Day content.

 

/ Film is continuing to report and opine on key points in the oral history book "The Fifty-Year Mission: The Next 25 Years: From The Next Generation to J. J. Abrams," edited by Mark A. Altman and Edward Gross.

For those of us who haven’t (yet) invested in the book, these extracts and reflections can prompt some interesting discussion.

In this case, it sounds like Nimoy’s hesitation led to a much less action-oriented integration of Spock’s presence. An interesting thought experiment.

Also, it sounds like tapping nostalgia and interlinking shows has been a constant pressure from senior executives at the IP holder. It’s well known that Roddenberry resisted close callbacks to TOS, and was determined for TNG to stand on its own in its own era. Even five seasons into TNG, Paramount senior executives though still weren’t convinced it didn’t need a TOS-connection boost.

Considering the amount of callback mining and IP nostalgia mining in the current era shows, it seems as though Kurtzman’s got a hard road to convince Paramount to give new characters and eras a chance to stand on their own.

 

This was included in the Star Trek Day content, but released separately a couple of days ago.

It’s nice to see Discovery getting a lot of love in this. It also really shows how great so many of Discovery’s vfx heavy scenes have been.

 

cross-posted from: https://startrek.website/post/1569624

Because it’s the weekend and Star Trek’s new Moopsy is possibly the most frighteningly inspired adaptation/extrapolation of Pokémons to hit the screen.

 

Because it’s the weekend and Star Trek’s new Moopsy is possibly the most frighteningly inspired adaptation/extrapolation of Pokémons to hit the screen.

 

As previously advertised.

 

The rebranded Star Trek magazine Explorer, published by Titan, is including original fiction.

For those who are fans of @DavidMack@davidmack@wandering.shop, this month’s issue may be one to add to your purchases if you’re not planning to already.

 

In honour of Star Trek day, this month Simon & Schuster is offering 23 ebooks at discount prices.

Books from every era are represented. (A special shout out from me for the Diane Duane one.)

As usual, look for the discounts in the US, Canada and UK through the major ebook platforms.

Enjoy!

 

An interesting, deliberately thought provoking 🤔 question for a lazy long weekend Sunday morning…

Setting aside whether specific fans like specific ‘gimmicks’ (crossovers, musicals, bringing back Kirk or Khan) or tropes (transporter malfunctions), Space.com is posing the hypothesis that the proportion was too high in Strange New Worlds second season.

There’s no arguing that the season was successful in drawing in large audiences week after week. Taking a look back though, was there too much trippy-Trek(TM) dessert and not enough of a meaty main course? YMMV surely.

For my part, I can both agree that trippy Trek is something I’ve been wanting more of, and that I would have welcomed 2 or 3 more episodes were more grounded or gave the opportunity to see more of Una as a leader and dug into Ortegas backstory.

The 90s shows seemed to be bit embarrassed by trippyness, although Voyager found its pretext allowed even stern Janeway to pronounce ‘Weird is our business.’ One can argue that the high proportion in SNW is a feature, not a bug.

I’d still prefer a 12-15 episode season though.

 

Interesting extract from a longer /Film interview with in-demand director Roxann Dawson.

I appreciate how she speaks with respect for the shows of the new era.

 

Season-long prerelease reviews are an exception to this community’s rules about posting reviews. (The mods prefer our members to prefer to post their own episode reviews here.)

It seems that today’s the day that Paramount’s embargo on ‘spoiler free’ (in theory) season reviews for Lower Decks season 4 comes off, and the first pro reviews are now posted by some who have seen the screeners.

From Inverse:

  • each one of these 30-minute episodes is nearly perfect. Just as the USS Cerritos presents the workhorse of Starfleet, with Season 4, Lower Decks again proves it is the workhorse of the entire Star Trek franchise.

From SlashFilm - view with caution, a bit more spoilery

  • /Film Rating: 9 out of

Any to add to the list?

 

@Nmyownworld@startrek.website spotted Murf in the poster in the promotional announcement for Star Trek Day.

Nmyownworld’s mention on the Star Trek Day thread was great, but I thought it would be great to amplify it. So here is the image with the colour intensity dialed up a bit and Murf circled to be easier to spot.

StarTrek Prodigy Lives!!!

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