Jokes can usually include a message, and often are more effective at delivering that message than a serious monologue with full citations.
Therefore, saying something is meant to be silly or a joke does not do anything to address whether the message behind that joke is a good one or not.
I'm not going to comment on the "should they have" question, but I think this is effective as yet another piece of evidence that the Democrats are not just "persecuting" the opposition party. If sham trials are acceptable and possible, why not use them as much as possible?
follow-up to the micro-budget British slasher that went viral last year for its childhood-bludgeoning premise, became one of the most talked about films of 2023
I have literally never heard of the original movie.
Do 'journalists' just get to decide something is massively popular because two people talked about it on social media?
Resistance is futile!
These are PEOPLE!
Out there, there are no saints!
Completely agree. The first two seasons are criticized for using leftover TNG scripts. While I think a lot of that is due to the nature of episodic TV production in the 90s, I also think those seasons are incredibly necessary to establish the context of the Federation and how that differs to other cultures in the galaxy (and even on the fringes of the Federation itself). The connection to TNG and the overlap with Voyager also goes a long way to establishing the ethos and morality that the rest of the DS9 story is commenting on.
Take away that foundation and backstory, and you just have another generic space opera.
I am usually on the other side of this argument, in that my main enjoyment of Star Trek is the exploration of ideas and morality plays that we get from TOS, TNG and the early seasons of Voyager. The utopian setting and unrealistic morality of all the main characters in TNG especially are what makes an episode exploring the nature of individuality or whatever topic work so well.
I enjoy DS9 for what it is, but it also set the stage for modern Trek which is so obsessed with "realism" and galaxy-spanning plotlines in a way that I do not enjoy. If I want to watch just an episode or two, I always reach for TNG or Voyager, but if I want to do a longer re-watch then DS9 is definitely my preferred choice.
Episodic is not always a bad thing, and sometimes it is actually a very important feature! I wish modern TV writers and producers would have the same perspective about serialization, but in reverse.
TNG had some multipart episodes and some plot lines that ran across the better part of a season, but the entirety of DS9 takes place against a continuous plot line.
"Entirety" is doing a lot of work in that sentence, IMO. While there is a general setting and eventually a serialized plot, it really doesn't get to the point where there's a continuous story until at minimum season 3 and in practice doesn't stop being episodic until even later.
Even once the main baddies are introduced--which does not actually happen until the final episode of season 2--there are still multiple self-contained episodes that have nothing to do with any kind of ongoing story or character development.
Don't get me wrong, compared to TNG and even Voyager or Enterprise, DS9 definitely had a story in mind that took multiple seasons to tell, but it's not like things were carefully known from the beginning. Lots of details change or are quietly retrofitted to fit better once the writers knew where things were actually headed. And that's fine, by the way! There is still a great story to be told.
Why would a refugee or asylum seeker "never have a chance" at getting hired by a company like SpaceX? Seems like that is part of the problem, no?
For all the cries about it being political persecution, I haven’t seen anyone prove any of the evidence being used against him is false.
The whole reason "persecution" is the main talking point is exactly because there is no legitimate defense. There's not even an illegitimate defense that they can float to the base, so the only thing left is "witch hunt".
It's also pretty damning to the franchise that all of the directors were already established--or like Gareth Edwards and Rian Johnson, are up-and-comers--who are generally seen as being better than the Star Wars films they were involved with.
Clearly the problem was not just the directors. The whole approach was fundamentally broken.
They can keep their guns if they pass mandatory training.
Most cops don't ever fire a weapon on duty over the course of their entire career, so most of them don't actually need to be armed all the time.