this post was submitted on 27 Sep 2024
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Showerthoughts
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I hear you and agree with much of that. I am a fan of multiple genres as well. But, as far as it goes for jazz, jazz is dead. Anyone still attempting to play it is often a sad version of what was once great in the 50s/60s/70s. So while there's plenty of music in other genres I like, always more to find from those time periods, as well as still enjoying the classics, it's a little upsetting good jazz is dead, modern jazz is trash, and people who think they know jazz these days actually refer to some other genre, like rock. Somewhat sad.
Awful take. Last weekend I saw Mike Dillon with Phunkadelick playing with Brian Haas on the Rhodes organ. They played a wild punk-jazz show that is one of the best shows I've ever attended. There was a mosh pit at a jazz concert where a primary instrument was a vibraphone.
In recent years, I've greatly enjoyed things like AKU!'s album Blind Fury (drum/trumpet/baritone sax trio) and Ambrose Akinmusire's Origami Harvest. A lot of modern jazz is blending in electronic influences, like Sungazer. Maybe you don't like these things, but I can't imagine calling jazz dead.
I'm not sure that's jazz anymore, but maybe I have more to learn. I wouldn't go to a jazz concert with a mosh pit. The two don't go together.
Isn't the core of jazz improvisation and breaking the "rules" of music? If that's what they're doing, why would we disqualify it as jazz? A lot of folks had this opinion of Miles Davis doing jazz fusion in the 70s on Bitches Brew and Live/Evil with his squeaky, borderline abusive trumpeting, or of Herbie Hancock doing weird space synth stuff on Sextant and funk fusion on Headhunters. I don't see how what you're saying isn't just gatekeeping that's not really in the spirit of jazz.