Star Trek
r/startrek: The Next Generation
Star Trek news and discussion. No slash fic...
Maybe a little slash fic.
New to Star Trek and wondering where to start?
Rules
1 Be constructive
All posts/comments must be thoughtful and balanced.
2 Be welcoming
It is important that everyone from newbies to OG Trekkers feel welcome, no matter their gender, sexual orientation, religion or race.
3 Be truthful
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5 Spoilers
Utilize the spoiler system for any and all spoilers relating to the most recently-aired episodes, as well as previews for upcoming episodes. There is no formal spoiler protection for episodes/films after they have been available for approximately one week.
6 Keep on-topic
All submissions must be directly about the Star Trek franchise (the shows, movies, books etc.). Off-topic discussions are welcome at c/quarks.
7 Meta
Questions and concerns about moderator actions should be brought forward via DM.
Upcoming Episodes
| Date | Episode | Title |
|---|---|---|
| 11-21 | LD 5x06 | "Of Gods and Angles" |
| 11-28 | LD 5x07 | "Fully Dilated" |
| 12-05 | LD 5x08 | "Upper Decks" |
| 12-12 | LD 5x09 | "Fissue Quest" |
| 12-19 | LD 5x10 | "The New Next Generation" |
In Production
Strange New Worlds (2025)
Section 31 (2025-01-24)
Starfleet Academy (TBA)
In Development
Untitled comedy series
Wondering where to stream a series? Check here.
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All the post-TOS shows expanded and deepened main cast, leading to episodes being able to be centered on various characters. TOS had a smaller and more focused cast. It was a rarity to even have a Spock or McCoy centered episode, and I can’t think of an episode where at least one of the main trio wasn’t the most prominent character.
I think it’s just a difference in writing styles of the different times between the 1960s and the 1980s. Even look at something like STIV: The Voyage Home. Same characters as TOS, but written in the 1980s and a lot more comfortable giving various non-trio characters their own individual adventures.
Another important factor is TNG's reliance (sometimes over-reliance) on A/B plots. The B plots were often an outlet for the ensemble characters to come out and play.