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this post was submitted on 22 Jun 2023
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We’re in a different era.
I for one am very glad we’re not in the melody-free scoring that was imposed by Berman in the 90s. I recall being at a con in the 90s where Rick Sternbach was presenting. There were several questions from fans asking why TNG and DS9 didn’t use the melodic motifs and themes in the way they had been in TOS. Sternbach laughed, noted that the norms of television scoring had changed but that someone ‘must have played really bad Vivaldi to Berman at some point in the past.’ He also talked about how happy they were to get the theme composed and recorded for DS9.
So, we have to expect each era to reflect the more general trends on use of music.
I find Nami Melumad’s episode scoring on SNW and Prodigy much more restrained than Jeff Russo’s on Discovery and Picard seasons one and two. In particular, I found some of his use of splatting horns overwhelmed some of Discovery’s more dramatic moments. Russo is however award-winning and an in-demand composer on top streaming shows beyond Star Trek.