Star Trek Social Club
r/startrek: The Next Generation
Star Trek news and discussion. No slash fic...
Maybe a little slash fic.
New to Star Trek and wondering where to start?
Rules
1 Be constructive
All posts/comments must be thoughtful and balanced.
2 Be welcoming
It is important that everyone from newbies to OG Trekkers feel welcome, no matter their gender, sexual orientation, religion or race.
3 Be truthful
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5 Spoilers
Utilize the spoiler system for any and all spoilers relating to the most recently-aired episode. There is no formal spoiler protection for episodes/films after they have been available for approximately one week.
6 Keep on-topic
All busmittions must be directly about the Star Trek franchise (the shows, movies, books, etc.). Off-topic discussions are welcome at c/Quarks.
7 Meta
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Upcoming Episodes
Date | Episode | Title |
---|---|---|
11-28 | LD 5x07 | "Fully Dilated" |
12-05 | LD 5x08 | "Upper Decks" |
12-12 | LD 5x09 | "Fissure Quest" |
12-19 | LD 5x10 | "The New Next Generation" |
01-24 | Film | "Section 31" |
In Production
Strange New Worlds (TBA)
Section 31 (2025-01-24)
Starfleet Academy (TBA)
In Development
Untitled comedy series
Wondering where to stream a series? Check here.
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I love Star Trek, and I love musicals. These are two of my favorite things, and I never thought they should mix. When this was announced, I was very skeptical. I have to say, that they pulled it off, and it was AMAZING! The plot was a bit meh and definitely made to shoehorn in the musical, but the singing really did it for me. "How Would That Feel" (La'an's solo) and "Keep Us Connected" (Uhura's solo) were my favorite songs, and I have listened to them so much today. "How Would That Feel" definitely cemented La'an's place as my favorite character.
I agree. As a fellow musical lover (I'm posting from the intermission of a touring Broadway show) the writers clearly understand what the music in musicals is meant to represent. La'an's and Uhura's solo numbers definitely gave some emotional insight into both characters that I feel benefited the show beyond just being decent musical numbers.
The autotune was painful in a few moments for certain actors but hey, they're not professional singers, and I would have loved a bigger dance number, but I know that's pushing it.
Another musical theatre Star Trek fan who finally caught up with the episode. Obviously I loved it. The writers took their cue from "Once More With Feelings" and used the "very special episode" conceit to progress seasonal character arcs (as they did with "Those Old Scientists"). You could tell was the intent even from the "previously on" recap with a bunch of relationship tensions ready to be revealed through song. (The bunnies reference was a nice nod to the Buffy episode.)
I knew Celia Rose Gooding could sing (although, sadly, she was off when I saw Jagged Little Pill on Broadway), so the actor whose vocal chops surprised me most was Christina Chong. I see from her wikipedia entry that she was actually in the Elton John musical Aida in Berlin, so that makes sense now.
Maybe my favourite minor running gag was how the characters always heard and acknowledged the backing music - in dialogue or with just a glance. I could go on a pretentious detour on mimetic vs diegetic music, but won't.
But I wasn't blind to some of the episode's flaws either. The biggest to me was that the songs lacked the craft and polish of really good musical theatre songs, with (for instance) many imperfect rhymes and awkward prosody (putting the stress on the wrong syl-LA-ble of a word). Crazy Ex-Girlfriend, a show that I loved, suffered from the same issue.
A minor complaint is that I didn't think we need the rules of musical theatre to be so explicitly lampshaded by the characters, although La'an treating it as security (and personal, emotional) risk was cute - and in character.