Photography

On down the line.

Took this the other day a bit before the rain moved in.

I took a picture of this dude with my CampSnap camera in Detroit.

Also posted on pixelfed

https://pxlmo.com/i/web/post/732631612898327356

Son found a green spot during a walk in a mountain in France.

cross-posted from: https://lemmy.world/post/18913518

More photos on pixelfed!

https://pxlmo.com/i/web/post/731645515845491178

This is a fairly old one, from a few months after the camera was built. An artist friend asked me to document one of his rooms, he was into installation and sculpture at the time. I agreed on the condition that I had complete freedom in how the documentation was done.

This was the second time working with this model, and she is one of the very few models I’ve worked with for whom the time shift effect has properly ‘clicked’. No direction required, just time and play. The blanket-waterfall stuck.

Scanned top to bottom in about two minutes.

I am looking for a new backpack for every day carry where I always want my camera gear with me (a DSLR, a filter and a couple of extra lenses).

I am looking at the Ramverk Pro Backpack (26L) with their small camera insert.

I like:

• The simplicity
• The design
• The large main compartment
• Being able to simply add or remove all camera gear by adding or removing the camera insert

I don't like:

• No water bottle holder
• No quick access to camera
• To few images showcasing the insert in the bag

Do any of you have this setup? Do you like it?

Would you recommend something else?

Shot with a Sony Alpha A7III, FE 4/16-35mm. My second favorite picture I got in Great Easton. The village is very picturesque, and the pub is to die for.

a large stone formation in the Jemez forest, New Mexico. Taken with a Sony Alpha A7III, FE 4/16-35.

The nyquist sampling theorem is a cornerstone of analog to digital conversion. It posits that to adequately preserve an analog signal when converting to digital, you have to use a sampling frequency twice as fast as what a human can sense. This is part of why 44.1 khz is considered high quality audio, even though the mic capturing the audio vibrates faster, sampling it at about 40k times a second produces a signal that to us is indistinguishable from one with an infinite resolution. As the bandwidth our hearing, at best peaks at about 20khz.

I’m no engineer, just a partially informed enthusiast. However, this picture of the water moving, somehow illustrates the nyquist theorem to me. How perception of speed varies with distance, and how distance somehow make things look clear. The scanner blade samples at about 30hz across the horizon.

Scanned left to righ, in about 20 seconds. The view from a floating pier across an undramatic patch of the Oslo fjord.

*edit: I swapped the direction of the scan in OP

One of the results of a collaboration with a dancer. Once the motion-aspect of scanning photography clicked with her, it was a blast playing around for a few hours. This is a quick scan, left to right in about 20 seconds.

Shot this weekend in Colorado, USA.

Check me out on pixelfed for more photos!

What are some good recommendations on books (physical or digital) on photography I can read to become a better photographer?

I have had my Nikon D3200 for about a year now and am having lots of fun with it. Now that I will soon have some time off from work, I want to improve my skills and become a better photographer.

I have learned and now understand the basics of the exposure triangle and how to use these settings to create different effects as desired.

What I think I need the most is to become better at composition and finding the right angles that give a shot its depth.

What literature would you recommend I read during my time off to become better?

You can see my journey in my posts here on Lemmy, or for a more easily digestible format, check out my Mastodon account.

If something needs more information, just ask, and I'll reply.

I appreciate any advice you have for me.

I know this topic has been discussed a lot before, but in my opinion there is no simple answer to this question.

Lately, I have been a bit disappointed with my Nikon DSLR kit (D3200) and thus I've been considering an upgrade. I got it many years ago, and it is undoubtedly a great, affordable camera that produces great images. I've had lots of fun with it and I can't complain about its performance when shooting -- given ideal conditions. When I am shooting more challenging subjects, however, I feel a bit hindered by my camera body/system. The points that bother me the most are:

1. Size. The D3200 is a very nice, compact, and lightweight DSLR, but it is still relatively big compared to modern cameras. It won't fit in a jacket pocket even without an attached lens. More current cameras with a higher image quality can be smaller than it is (but heavier). The situation is even worse for higher-end DSLRs.
2. Autofocus. Again, the D3200 is a fantastic camera if you are just using the center focus spot using the optical viewfinder and nothing else. Live view (contrast) focus is straight up unusable, and there are only 11 (phase) focus points or so if using the viewfinder. At least that's the case with "ordinary" Nikon lenses. I don't know how it performs with higher-end lenses, like the Sigma Art line.
3. "Low light" performance. I can't bump the ISO significantly before image degradation becomes obvious. Low light in quotes because that's the case even in fairly well-lit situations. Occasionally, I like to print on medium-sized paper (A3+), and if I need anything above ISO 400 to properly expose the image, it won't look that good printed. Of course, I can always stick to printing bright images large and save the "low light" scenes to smaller prints, so this isn't really my main concern.
4. Custom controls. I wish I could customize the camera settings a bit more. For example, on my camera, the back button AF/AE can be set to lock the AF/AE or as a back button focus. But in image preview mode, the same button "locks" the image so it can't be deleted. Thus, you need to quit image preview before using that button to trigger autofocus again. I would like to have a dedicated AF button so I can shoot straight from image preview if the opportunity arises. Another example of customization I can't do: settings like auto-ISO and shutter speed can't be capped/limited to a certain range. Let's say I want to use auto-ISO but prevent it from going above 400 to avoid too much noise (and decrease shutter speed but risk shaky images). Or the opposite: prevent the shutter speed in aperture priority mode from going below 1/100 to avoid shaky images and then change ISO instead. Well, I can't do either at the moment. Again, a nice feature to have, but totally something I can live with.

From what I have seen, cameras nowadays have gotten pretty good and they do look like a significant upgrade from 10-15 year old bodies. I guess all popular, entry-level, modern cameras (2019-) solve at least 3 of the 4 problems I listed above, so I don't think I can go wrong with any big brand. However, I'm having a hard time deciding with so many options and sensor size/formats available. My options so far are:

1. Nikon Z. Since I am already familiar with Nikon F lenses, I have read a lot about them and I know the strengths and weaknesses of many of those. That means I likely won't be disappointed if I switch to another system, and I want a certain lens that doesn't exist, or the optical performance is poor, or it is prohibitively expensive. The Z50, Z5, and Z6 all look amazing, and I can pick or switch between a full frame or cropped sensor easier than I would if I was stuck with a micro four thirds. They are more affordable than Sony.
2. Sony. They seem to be fantastic cameras, with great image quality and features. Sigma and Tamron options for Nikon are likely available for Sony as well. I'm just slightly afraid that lenses might be too expensive for what they offer. Their cameras look super compact and pocketable, which is a huge plus to me. Full frame (A7iii) or cropped (A6400) are also both available for a seamless transition.
3. Olympus. I think it is impossible to beat micro four thirds in size and affordability. It is perhaps the only system where you can get a wide angle, portrait, fast prime, macro, and telephoto that you can take everywhere in a small bag while not costing you a fortune. They also have pretty nice features, such as the "live mode"/"smartphone photography", where you can get a frame that was captured slightly before the shutter button was pressed. This must be so cool for wildlife. Olympus stabilization is also highly regarded, with people claiming it to be "gimbal-like". The E-M5 iii looks very appealing. My main concern is that I've never used a micro four thirds before and thus I don't know how much I'm letting go in image quality. I already feel that the dynamic range I get with the D3200 rocking a larger, cropped sensor could be better.

I am not considering:

1. Canon. I completely disagree with their "no third party lenses" policy. To me, that is unacceptable.
2. Fujifilm. There are barely any telephoto options and they are one of my favorite lens types to use.
3. Panasonic. I like what I read about the Lumix cameras, but they seem to be behind Olympus regarding micro four third still-focused cameras (apart from the G9). And I don't know much about the L-mount.
4. Hasselblad, Leica, etc. Too expensive. I want something that I can take with me everywhere and not worry too much if it gets damaged.

I would appreciate if you all could help me figure this out! Especially people who have used more than one modern mirrorless system or have recently transitioned from DSLR to mirrorless. Many thanks in advance!

Edited to add:

I forgot to describe how exactly I use my camera. I mostly shoot:

1. "Lifestyle" photos, like something cool I've seen while biking to work, walking in the park, visiting museums, etc.
2. Hiking, biking, backpacking photos, like landscape, close ups, macro, wildlife, etc.
3. Birds of all sizes.
4. Occasionally, street photography if there's some cool event going on.
5. I do like to shoot video, so something that would be 4K capable would be great.

Canon EOS RP with a 17-40 f4

It was rainy last night but some people nearby let out a few and I got 1 really good picture from it!

Pros:

• Sharp
• Nice construction
• Effective VR/OIS
• Fast and accurate AF with good tracking. I've used it for a mix of birds, bugs, and youth sports. It's never failed to disappoint
• It's not white and collapses somewhat small for a longish FF lens. I like to believe the lens didn't stand out that badly when I use it to shoot youth sports. At least I had multiple parents tell me they appreciated the photos. The hood adds a decent amount of visual mass and it's probably not needed 95% of the time
• Decent pseudo macro, but only at the wide end (1:3.1 aka 0.32x)
• 500mm is 25% more reach than 400mm and is enough for my needs. I'm on e-mount and this lens combo is faster than Sony's 100-400 with a teleconverter
• Good price to performance ratio
• The lens has a focal length lock that uses a clutch like mechanism to lock the lens at any focal length. It seems a bit gimmicky, but I find it useful
• My copy appears fairly well centered, so yay

Cons:

• Stiff zoom action and somewhat front heavy when fully zoomed. There's no manual focusing this lens when it's fully zoomed unless you're using a monopod or tripod
• It's a bit heavy, but is on par for this focal length on a FF lens. If you only need 400mm, get a 400mm lens to save some heft. I use this lens exclusively hand held, but I'm also reasonably fit. I have sat on the ground and used a knee as a makeshift monopod at times though
• Somewhat slow aperture, but this also on par for the focal length. I only use this lens outdoors, so it's never been an issue. As far as consumer lenses go, there's not much faster out there at this focal length
• If you need a long lens you're going to need something longer than 500mm. There's obviously more reach here than a 400mm lens, but it's not that much more. This isn't a real con about this lens, just know what focal length you need and go from there
• No teleconverters on e-mount

Bottom line:

• If this focal length is your jam, this could be your lens
• If you don't need the reach, get something lighter and more compact
• If you don't mind walking around with a massive lens and you're on e-mount, Sony's 200-600 zoom action is really hard to beat

Went to the lake when spring weather started to set in. There were four of these guys hanging around me keeping the mosquitos at bay. They sat with me the entire time I was there occasionally flying over to the water to drink and coming back.